Babban Shafi » News » Calrec: Gwajin Craft, John Hunter, A1 Mixer

Calrec: Gwajin Craft, John Hunter, A1 Mixer


AlertMe

Injiniyan sauti mai zaman kanta (A1) don Dome Production a Kanada, John Hunterfirst ya gano sha'awar sa ta sauti tare da raye raye. A ƙarshe, hanyarsa ta kai shi ga wasanni kuma shi (a lokuta na yau da kullun) ya haɗu da kowane wasan gidan Raptors na Toronto a kan TSN da Sportsnet kuma ya yi tafiya tare da ƙungiyar samarwa don yin kowane wasan wasa, ciki har da Finfin NBA na 2019. Ya yi aiki azaman A1 don sanannen wasan 2018 NBA Raptors / Pelicans game da 4K HDR da Dolby Atmos kewaye sauti, wanda shine farkon wanda aka samar a cikin waɗannan tsaran kuma ya rarraba wa gidaje a Arewacin Amurkawa.

  1. Mun san cewa kun haɗa da mai jiyo sauti na NBA Toronto Raptors na ɗan lokaci a yanzu, amma waƙar ita ce farkon sha'awarku. Ta yaya kuka shigo cikin sauti na ƙwararru kuma zuwa inda kuke yanzu?

Hanyata zuwa ga masu sana'a ta samo asali ne daga sha'awar yin kide-kide na kiɗa. Bayan na kammala horar da sauti a OIART (1999), Na bunkasa ilimin da na samu a Jami’ar Toronto (Hon. BA 2006), yayin da nake buga kida a bandada sannan na sanya hannu a wajan rikodin a New York City. Recaukar kundin kidewa da yin yawon shakatawa a cikin goyon baya na kundin ya buɗe idanuna ga dama daban-daban da ake samu a kiɗan kiɗa da masana'antar kiɗa. A wannan lokacin, Ina haɗu da kiɗa na kai tsaye a Distillery Historic District a Toronto kuma na yi imani wannan ya ba ni chops ɗin don yin siginar sauti mai kyau. Har ila yau, ina aiki a matsayin injiniya mai saurin sauraren sauti a cikin otal-otal da cibiyoyin taro kuma wannan ya koyar da ni abubuwa da yawa game da gina tsarin AV na wucin gadi daga ƙasa. A cikin shekarar 2006 ne Courtney Ross, Babban Injiniya Audio in da aka ba ni leda a matsayin matattarar fasahar sauraron sauti ta kashin kai a cibiyar wasannin motsa jiki ta Toronto (wanda aka fi sani da Scotiabank Arena) inda Maple Leafs da Raptors suke wasa. Daga 2010 zuwa 2019 Na yi aiki a matsayin cikakken A1 don Maple Leaf Sports & Nishaɗi (MLSE). A halin yanzu ina aiki a matsayin mai kyauta na A1 don Dome Production, na ci gaba da aikina tare da Masu Raya, tare da sauran abubuwan wasanni da raye-raye.

Loveaunar da nake yi na fassara kai tsaye zuwa ga haɗawa domin a ƙarshe, Ina ganin aikina a matsayin wanda yake haɗu da mutane ta hanyar fasaha. Idan zan iya fassara farincikin raye raye ga masoya da ke kallon watsa shirye-shirye - idan har zasu iya jin wannan farincikin ta hanyar sauti - to lallai na yi aikina cikin nasara. Na yi imani cewa hadawa yana kama da kunna kayan aiki; Akwai rawar jiki da kerawa wanda ke buƙatar sauraro mai zurfi, mai da hankali sosai da kuma mai da hankali sosai ga daki-daki.

  1. A cikin ƙarin daki-daki, menene aikinku na yanzu a matsayin Gida Nuna A1 ga Masu Ruwaya?

A cikin Nuwamba na 2013 Na fara haɗar watsa shirye-shiryen Toronto Raptors akan TSN da Sportsnet kuma ban taɓa yin wasa a gida ba tun da farko. Na yi imanin hadawa tsari ne wanda ke sa kowane tsarin A1 ya zama na musamman. Burina shi ne kawo ci gaba da hadin kai a cikin “alama” ta gidan rediyo na Raptors. Tare da kallo da albarkatun da aka fadada a yayin wasannin, Na kasance cikin sa'a in haɗu da kowane wasan wasan Raptors, gida da waje, tun daga 2014.

Matsayi na shine tabbatar da dukkanin hanyoyin sauti na waje, mics mai sharhi, filin wasan (FX) mics, taron jama'a / ambience mics, da maɓoɓin cikin ciki (EVS, Spotbox, Chyron, da sauransu), ana gwada su kuma suna aiki yadda yakamata kafin watsa shirye-shiryen. Watsa shirye-shiryenmu suna da ɗan bambanci idan aka kwatanta da yawancin nunin NBA na yanki saboda yawan masu sharhi; yayin wasan, wasan nunin namu na iya samun masu sharhi daban-daban 12 a wurare daban-daban, ciki da waje wurin taron. ("Wurin kallo" a waje da Scotiabank Arena galibi ana kiran shi "Jurassic Park".)

Ni ke da alhakin duk hanyoyin sadarwa na baiwa da kwararru. Muna amfani da tsarin ma'amala da ma'amala tsakanin R-M-RS wanda na tsara a cikin AZEdit. Na tsawon shekaru ina sabuntawa da haɓaka fayiloli na komputa na kowane yanki na wayar hannu da muka yi amfani da shi.

Watsa shirye-shiryenmu suna haifar da hits labarai har ma da wasan kafinmu don hanyoyin sadarwar da muke iska. Da zarar wasan ya fara, Ina bin matakin wasan da gani kuma ina sauraren sauraron daraktan mai gabatar da shirye-shirye ta yadda zan iya fitar da kwarewar sauti wacce ta dace da hotunan kwalliya a kan allo.

  1. Shin zaku iya bayyana kwatancin aiki na sauti wanda kuke amfani dashi?

A wurina, ingantaccen aiki mai jiwuwa yana farawa da babban takarda, wanda shine taswirar hanya don A2s da A1. Ina kokarin hada duk abubuwan da suka dace da wurin budewa da kuma abubuwan ababen hawa na ciki (watau na'urar wasan bidiyo I / O, IFB da tashar jiragen ruwa). Yana da mahimmanci cewa EIC (Injiniya-in-Charge) da A1 suna kan shafi ɗaya; Kullum nakan samar da jerin hanyoyin jigilar sauti tare da rikodin layi don EVS masu aiki, manyan hanyoyin watsawa (M1 & M2) da abinci mai tsabta iri daban-daban kamar yadda NBA ta buƙata. Mafi yawan wasannin gidan Raptors akan TSN da Sportsnet ana watsa su ne a cikin bidiyo ta bidiyo ta 4K wacce ke buƙatar madaidaiciyar hanyoyi ta manyan maganganu na sauti (M3 & M4) waɗanda aka jinkirta (kusan 50 ms) don duk abubuwan da aka shirya sun rubuta EVS ta hanyar switcher suna da sauti da bidiyo a cikin daidaitawa. Zaɓi wasanni suna buƙatar ciyarwar tsabta na NBA inda Nayi amfani da hanyar watsawa ta uku (M5 & M6).

A halin yanzu muna amfani da audio na analog (DT12s) don haɗawa zuwa ɗakin majami'ar I / O patch ɗin kuma ina yawanci ciyar da watsa shirye-shiryen A1 mutum FX mics akan MADI (ta amfani da kayan aiki na Calrec JM). Har yanzu, na tabbata na samar da takarda don ziyartar A1 don su san ainihin mics zan aika su.

Dangane da zancen makirufo, Ina amfani da kayan karar harbe-harben Sennheiser MKH 416 da aka sanya a tsaka-tsaki a kusa da kotun, inda kowane mic ya zana wani bangare na daban amma muhimmin aiki a kotu. Burina shi ne in haskaka ƙwallon ƙwal a duk lokacin da zai yiwu tunda idanuna suna biye da mai riƙe ƙwallon. '' '' '' '' '' '' 'Masu kumbura a farfajiya' 'wata karar sauti ce da ke dauke da karar harbi. Ina amfani da Sennheiser MKE 2 wayoyin lavos a tef a gindin kwandon don ɗaukar sautin "swish" na harbi-maki 3 ko "dunk" - tare da saitunan matsawa masu mahimmanci don cimma tasirin da ake so. Na fi so in yi amfani da 416s a kan duk kyamarar hannu, mics kwando da manyan mics (an ɗora su akan wasan kamara). Na sami yin amfani da bindiga guda ɗaya don kotun / sautunan jama'a yana da taimako na da gaske don riƙe hoton sauti daidai. Sennheiser 416 ba sabon fasaha bane amma yana ƙware da jin kwando kwando, a ganina. Ina amfani da makirufon Sennheiser MD46 don duk mai faɗi na mai faɗi saboda an tsara su don ƙin sautin asalin baya a cikin yanayin rudani. Ina amfani da haɗin Sennheiser HMD-25s da HMD-26s don kawunan kai, ya dogara da zaɓin mai sanarwa.

  1. Mun san cewa kun kasance A1 don watsa shirye-shiryen NBA Raptors / Pelicans 2018K wanda shine ɗayan farko da aka fara samarwa a cikin Tsarin Dolby Atmos don gidaje. Yaya ka ji game da kafa wannan? Wadanne matsaloli ne aka samu na yin aiki a tsarin Dolby, kuma waɗanne fa'idodi ne ya kawo?

Lokacin da na fara azaman A1, sautin kewaye (5.1) sarrafawa ya koma ƙasa kuma ya haɗu da shi a kowace cibiyar sadarwar - ba a samar da shi daga na'urar jiyo ta hannu ba. Ina da horo da ilimi a cikin 5.1 amma babu kwarewar watsa shirye-shirye. Ainihin, a cikin watsa shirye-shirye ɗaya, Na yi tsalle daga tsararren sitiriyo zuwa Dolby Atmos (5.1.4). Tafiyar hanya ce mai tsattsauran ra'ayi wanda ya ƙunshi babban adadin saiti da zirga-zirga, amma ina da babban goyon baya daga Mike Babbitt daga Dolby da A1s guda biyu waɗanda ke da goguwa ta hanyar tsarin Dolby - Andrew Roundy da John Rootes.

Ofaya daga cikin manyan ƙalubalen shi ne adana ingancin ire-iren abubuwan sitiriyo na Sportsnet da TSN, yayin isar da nau'ikan Atmos mix don DirecTV. Nauyin watsa shirye-shiryen Atmos na farko ya kasance akan wayar hannu ta "Vista" ta Dome Production, wacce ke sanye da kayan haɗin software na Calrec Apollo da Waves. Waves sun taimaka da haɓaka sitiriyo mai tushe zuwa 5.1 da mitsi na kamara mai hoto zuwa hoto na sitiriyo. Apollo yana bada izinin sarrafa ingantaccen haɗin Atmos saboda dalilai da yawa amma ergonomically saboda aderswararrun bangarorin biyu. Ina iya samun damar sauri zuwa mics da sauran kafofin ciyar da sama jawabai a saman Layer na fighter, tare da kasa Layer na fighter sanya wa babban sharhi mics, FX mics da sake kunnawa kafofin.

Ofaya daga cikin abubuwan da suka fi ban sha'awa shi ne jigilar filin fagen wasan PA ɗin a cikin jawaban masu magana. Sauti na kai tsaye yakan jawo hankalin mai sauraro daga zubar da PA da kuma tunani wanda zai iya rikitar da haduwa a cikin masu magana da muryar LCR.

Na sami damar sauraron haɗuwata na Raptors 5.1.4 a cikin gidan wasan kwaikwayo na Dolby Atmos a hedkwatar Microsoft a Redmond, Washington - kwarewar tana da zurfi!

  1. Yaushe kuka fara aiki da samfuran Calrec?

Bayan watanni da horo kan wayoyin hannu tare da takwarana John Rootes, wakata ta farko da na watsa a matsayin A1 ta kasance a watan Disamba 2011 kan Dome Production "aradu" don watsa shirye-shiryen Toronto Maple Leafs. Wannan motar tana sanye da Calrec Sigma (tare da Bluefin). Shekarar farko kamar yadda A1 ya kasance mai wahala ne kuma cike da sabbin abubuwa, amma yayin da nake ci gaba da jan hankalina, kowane juzu'i ya zama cikakkun bayanai da kara sauti. Dogaro da kuma sanannu na sanannu ga masu ta'azantar Calrec shine ya ba ni kwarin gwiwa a cikin farkon farkon dana a matsayin A1 don kewaya yanayin da ba a sani ba kuma na musamman na watsa shirye-shiryen wasanni kai tsaye.

  1. Me consoles Calrec kuka yi amfani da shi tsawon shekaru kuma don waɗanne ayyuka?

Na gudanar da aikin ta'azantar da Calrec da yawa a cikin shekaru goma da suka gabata: S2, Sigma, Omega, Alpha, Artemis, Apollo da Brio. Babban ayyukana sun kasance ne don wasanni da kuma wasanni na gaba: ƙwallon kwando (NBA, NBA G-League, NBA Summer League), hockey (NHL da AHL), ƙwallon ƙafa (MLS da USL) da lacrosse (NLL).

  1. Menene misalin kwanan nan na wani aiki inda kuka yi amfani da fasaha na Calrec?

Ofaya daga cikin manyan ayyukan da na yi a waje da watsa shirye-shiryen Raptors shine na leagueungiyar ƙaramar ƙungiyar ta Maple Leafs - The Marlies. Ana samar da waɗannan watsa shirye-shiryen daga ɗakin studio Dome Production Suite 1 ta amfani da Calrec Brio da RVON don sadarwa. A lokacin da nake a matsayin MLSE A1, Na taimaka aiwatar da aiwatar da aiki na sauti wanda bazai karɓi haraji akan A2 guda ɗaya ba - hannayensu suna cike da saita ɗab'in sharhi, kankara RX FX, comms da sidline Reporter mics / IFBs . Mun dogara da EIC a wurin da za mu haɗu da tashoshin rediyo na mutum akan ayyukan bidiyo da yawa don haɗawa da baya a ɗakin ɗakin sauraro. EIC kuma tana bibiyar dawowar sauti don IFBs, PGM da IS.

Ofaya daga cikin manyan kalubalancin na REMI shine latency da aka haifar ta hanyar aika da sigina ga kawunan masu sharhi daga ɗakin studio mai nisa. An magance wannan ta hanyar watsa bayanan IFB na bushewa a cikin Brio tare da minitocin ma'ana da aka sanya don tura hanyoyin dawo da sauti. Wadannan mahaɗan usesan haɗe-haɗe za a haɗa su tare da tsabtace kowane ɗayan masu sharhi a gida ta amfani da DirectOut Andiamo MC-1 a wurin taron.

Brio kwalliyar kwalliya ce ta wannan girman samarwar. Tsarin kayan wasan bidiyo yana sanya damar zuwa baƙi A1s waɗanda aka ɗauke su haya don haɗa wasan kwaikwayon lokacin da aka sanya ni zuwa wasu ayyuka. Burina shine ƙirƙirar tsarin aiki mai ma'ana tare da alamar kwalliyar wasan bidiyo ta yadda wani A1 zai iya ɗaukar fayil ɗina ba tare da horo na musamman ba ko kuma in gina fayil daga karce.

  1. Menene amfanin fasahar kayan aikin ta hanyar amfani da na Calrec?

Dukkanin consoles na Calrec da alama an tsara su tare da watsa shirye-shiryen A1 a zuciya, amma sabbin ƙira (Artemis, Apollo, Summa, Brio) musamman masu amfani ne da abokantaka. A cikin lamura da yawa, A1s suna ƙarƙashin ɓarkewar lokaci don gina show daga fayil ɗin wasan bidiyo na tsoho. Comsoles na Calrec yana bawa mai amfani damar kirkirarwa tare da sake shirya sabbin tashoshi (Lafiyayyan Fader), hanyoyin hanya / inda ake nufi a sarari, kuma kwafa da liƙa saiti cikin sauri. EQ da haɓaka ƙarfin abubuwa sun kasance masu kyau a kan sabbin abubuwan ta'azzara kuma sautin gabaɗaya ya kasance sarai - tsabta, bayyananne da matsewa ba tare da ya faɗi ba. Abun da ake amfani da shi na Automixer shine wanda ba a yarda da shi ba; Ina amfani da shi a kan duk masanin sharhi, amma yana da mahimmanci musamman idan ina da kwamiti na masu sharhi hudu da ke amfani da sandar ƙwaya a kotun kwando a cikin fage mai ƙarfi.

  1. Menene mabuɗan mahimman ci gaban fasaha da kuka shaida a lokacin ku na watsa shirye-shiryen rediyo kuma ta yaya suka canza abin da kuke yi / yadda kuke aiki?

A ganina, gabatarwar Calrec na consoles Artemis da Apollo sun kasance muhimmiyar rawar gani a cikin watsa shirye-shiryen, daga hangen mai aikin. Matsayin sarrafawa da saukin gina sabon fayil a kan abubuwan ƙarfafawa na Artemis / Apollo consoles da gaske yana ba da damar ƙarin lokacin A1 don mayar da hankali kan ƙirƙirar sauti.

Canjin zuwa watsawar Nesa na Nesa (REMI) shima yana da matukar muhimmanci. Na kasance a cikin ƙasa na gina ƙaramin ƙarairayi amma mai tsada na SAI don watsa shirye-shiryen Toronto Marlies kamar yadda aka ambata a sama.

Dolby Atmos wata muhimmiyar rana ce ta ci gaban sauti mai watsa shirye-shirye. Kamar yadda buƙatun Atmos ke ƙaruwa da kayan aikin don isar da wannan abun da ke ƙasa, na yi imani cewa za a ci gaba da yin gwaji a cikin wannan tsarin mai nutsarwa.

  1. Shin zaku iya magana da mu ta hanyar aikin da kuka fi jin daɗin aiki akan sa da / ko kuma ya fi fice a cikin aikin ku?

Gasar Kasuwancin NBA ta 2019 ita ce mafi ban sha'awa da abin tunawa wanda na kasance a ciki. Raptors sune kawai ƙungiyar NBA na Kanada, don haka TSN da Sportsnet suna da haƙƙin samarwa da watsa shirye-shiryen wasanni na Kanada a Kanada. Abin farin ciki ne idan aka gano cewa ana jin muryar wakokina a duk faɗin ƙasar a cikin adadi masu yawa - kusan masu kallo miliyan 20.5 ko kuma kashi 56% na Canadianan Kanada suna kallon duka ko kuma wani ɓangare na Tsarin NBA na 2019. Tare da “bangarorin agogo” da “Jurassic Parks” wanda aka shirya a biranen da ke fadin Kanada, na ji babban aiki na sanya wadannan watsa shirye-shiryen su zama cikakke kuma abin farin ciki.

A duk cikin wasannin, na yi aiki kafada da kafada tare da sassan sauti daga TNT da ESPN kuma na sami labari mai yawa daga wadannan tsoffin masana'antu. Tun lokacin da nake hadawa kaina FX kuma ban ɗaukar ƙarancin abinci na IS ba, Na buƙaci aika saƙon kotu da taron masu sauraro, gami da taron taron manema labarai. A1s daga waɗannan cibiyoyin sadarwar Amurka suna da matukar karɓuwa kuma sun taimaka don tabbatar da cewa ina da duk abin da nake buƙata don samar da babban haɗuwa don watsa shirye-shiryen Kanada.

Kasancewa a San Francisco tare da kungiyar bayan da suka ci NBA Finals ya kasance cikar aikin da ba zan taɓa mantawa da shi ba. Ina kuma daya daga cikin mambobin kungiyar da suka samu karbuwa ta hannun NBA Championship na kungiyar.

  1. Menene tunanin ku game da AoIP kuma a ina muke kuma menene ma'anar ci gaba?

Ina farin ciki game da damar da zan samu ƙarin ƙwarewa tare da AoIP kuma in yi amfani da shi don ayyukan a nan gaba. Na fahimci eSports wata babbar masana'antar ce da ke haɓaka tazara kuma ina fatan samun ƙarin shiga cikin waɗannan ayyukan. Na ga ɗaukar nauyin watsa shirye-shiryen eSports / kwarara a matsayin babban dandamali don ci gaba da ci gaba da aiwatar da samfuran AoIP.

Dangane da nau'ikan watsa shirye-shirye na gargajiya, Ina ganin an gabatar da AoIP a matsayin kayan haɓaka kayan aikin tsofaffi. Wannan ba zai faru ba da dare ba saboda haka, saboda haka akwai yuwuwar akwai tsarin samin tsari a wurin. A matsayina na mai aiki, Ina maraba da duk wata fasaha da ta taimaka wajen samar da ayyukanmu ta yadda yakamata mu iya mai da hankali kan ayyukan hada abubuwa. Kamar yadda yake da masana'antu da yawa, wasu ayyukan zasu rasa na injina, amma na yi imanin wasu za a kirkiresu ne saboda wasu bukatun daban. Horarwa za ta kasance wani mahimmin juzu'i don taimaka wa mutane su dace da waɗannan sababbin yanayin canjin.

  1. Yaya kuke ganin cigaban sauti a cikin shekaru biyar masu zuwa?

Kamar yadda muka sani, masana'antar tana ƙaura zuwa mafita na tushen IP don sarrafa sauti, hanyar sadarwa da rarrabawa. Tare da yawancin wasannin raye raye da ake riƙewa a Arewacin Amurka a sanadiyyar cutar COVID-19, Ina amfani da wannan lokacin don bincika yawancin canje-canje da ake faruwa a masana'antarmu. Tare da kawancen masana'antu kamar AIMS da ka'idoji na fasaha kamar AES67, zan iya cewa muna kan hanya mai kyau don cimma "hulɗa tsakanin juna" tsakanin abubuwan da ke gudana da sabon fasahar tushen IP.

Fata na shi ne cewa haɓaka abubuwan samarwa na nesa da kuma naɗaɗɗen za su ba wa masu kera damar yin watsa shirye-shiryen watsa shirye-shirye / ragi, tun da wannan fasahar tana da damar mai da hankali ga abubuwan da suka faru a rayuwa. Cutar ta duniya da muke fama da ita ita ce tura ci gaban samar da nesa nesa har ma da martani ga wani buƙataccen abu. Koyaya, da zarar yana da aminci don wasanni masu rai su ci gaba, Na yi imani koyaushe za a sami abubuwan da ke buƙatar tasirin wayoyin hannu. Sanya raka'a kayan samarwa ta hannu kusa da wurin wurin yana da fa'idodi masu yawa, gami da abubuwanda zasu iya shafar ji da jiyo na watsa labari.

Na dauki kaina a matsayin sa'a in kasance tare da ma'aikatan injiniya na ƙwarewa a Dome Productions waɗanda ke koyaushe suna ƙoƙarin haɓaka da yin gwaji tare da sabon fasahar a cikin fatan isar da farin ciki ga magoya baya, duk inda suke.


AlertMe